Thursday, February 18 at 17:30 at the headquarters of the Società Dante Alighieri in Florence Palace (Piazza Firenze 27, Rome), will be held the fifth meeting of the series of conferences devoted to Italian art historians: Massimo Chiara Carboni and Barbato will speak of Cesare Brandi. For the occasion
will look at GC Argan letters sent to Brandi in the '30s and '40s
fifth meeting with the "Thursday Art" Palace of Florence next Thursday, February 18 at 17:30 in Rome at the headquarters of the Dante Society Alighieri (Piazza Firenze 27) for the cycle "The eye of the critic. History and Art History ", it is called Cesare Brandi. Speakers Massimo Carboni (Viterbo University - Academy of Florence) on "Cesare Brandi European intellectual, and Claire Barbato (historian) to" Brandi and restoration. " To mark the occasion will be presented several letters that Giulio Carlo Argan sent to Cesare Brandi in the thirties, live evidence of the relationship of friendship and respect that bound the two great historians.
Massimo Carboni teaches Aesthetics at the University of Tuscia and the Academy of Fine Arts in Florence. He has worked as co-curator and author of essays in the catalog of 1993 and 1997 editions of the Venice Biennale. The critic can not be published. Paradox of art criticism (Rome, 1985), Cesare Brandi. Theory and Experience of Art (Rome, 1992, 2004), The Sublime is Now. Essay on contemporary aesthetics (Rome, 1993, 2003); not see anything there? Pathways through the arts and philosophies of this (Rome, 1999, 2005); The ornamental. Between art and decoration (Milan, 2000), The eye and the page. Between image and word (Milan, 2002), Dreyer's The Fly. The work of contingency in the arts (Milan, 2007), more of everything. Figures of the excess (Rome, 2009). He edited the second edition of Cesare Brandi, General theory of criticism (Rome, 1998).
Chiara Barbato is a graduate of the Chair of the History of the Modern University "La Sapienza" of Rome. Since 2001 he works with the Società Dante Alighieri. He has written several papers and curated exhibitions on architecture and Italian figurative culture of the twentieth century. He has worked newspapers and magazines. And operational restoration of architectural heritage and devoted to the theme of restoration projects and educational conferences.
will look at GC Argan letters sent to Brandi in the '30s and '40s
fifth meeting with the "Thursday Art" Palace of Florence next Thursday, February 18 at 17:30 in Rome at the headquarters of the Dante Society Alighieri (Piazza Firenze 27) for the cycle "The eye of the critic. History and Art History ", it is called Cesare Brandi. Speakers Massimo Carboni (Viterbo University - Academy of Florence) on "Cesare Brandi European intellectual, and Claire Barbato (historian) to" Brandi and restoration. " To mark the occasion will be presented several letters that Giulio Carlo Argan sent to Cesare Brandi in the thirties, live evidence of the relationship of friendship and respect that bound the two great historians.
Massimo Carboni teaches Aesthetics at the University of Tuscia and the Academy of Fine Arts in Florence. He has worked as co-curator and author of essays in the catalog of 1993 and 1997 editions of the Venice Biennale. The critic can not be published. Paradox of art criticism (Rome, 1985), Cesare Brandi. Theory and Experience of Art (Rome, 1992, 2004), The Sublime is Now. Essay on contemporary aesthetics (Rome, 1993, 2003); not see anything there? Pathways through the arts and philosophies of this (Rome, 1999, 2005); The ornamental. Between art and decoration (Milan, 2000), The eye and the page. Between image and word (Milan, 2002), Dreyer's The Fly. The work of contingency in the arts (Milan, 2007), more of everything. Figures of the excess (Rome, 2009). He edited the second edition of Cesare Brandi, General theory of criticism (Rome, 1998).
Chiara Barbato is a graduate of the Chair of the History of the Modern University "La Sapienza" of Rome. Since 2001 he works with the Società Dante Alighieri. He has written several papers and curated exhibitions on architecture and Italian figurative culture of the twentieth century. He has worked newspapers and magazines. And operational restoration of architectural heritage and devoted to the theme of restoration projects and educational conferences.
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